Precision and momentum - this is what Penderecki values from the experimental improviser.
I appreciate Penderecki the most for his powerful sonic impact. I often return to his Cello Concerto No. 1. I am also impressed by the precision, panache and freedom of expression in compositions from his sonoristic period. Penderecki would probably classify me as an amateur. With this in mind - for fun - I decided to prepare a piece referring to nothing, quite unconsciously building complex vertical and horizontal sound relationships that arrange themselves completely randomly and without any control into a whole.